November 23, 2017

The art of negotiation


Such wonderful photo opportunities on a grey day. Can't wait to return. 
"The Jeu de Balle Flea Market is a sociological representations of the area. It gathers antique lovers, collectors, occasional visitors and people who are simply headed out for a stroll. Here you can find almost everything and anything you’ve ever wanted in a lively and entertaining atmosphereThe market is composed of dealers selling pieces strewn out on blankets and sheets or off the back of their trucks and cars. There are also stands crammed with objects, from antique porcelain and pictures to 19th-century crossbows and tiny tin objects made from the 20th century, parchment, fabric, vintage clothes, etc. Most of these stands offer a variety of different objects, but here and there you can find sellers dedicated to only one specific kind of treasure".  and more :https://theculturetrip.com/europe/belgium/articles/the-complete-guide-to-the-jeu-de-balle-flea-market-in-brussels/

November 16, 2017

Open air markets


Open air markets, like this one in Brussels' Saint-Gilles,  combined with the autumn foliage provide pretty colourful photo ops.

November 03, 2017

The Raft, conversation with Ostend


I have not yet seen this exhibition but glimpsing through the splendid catalogue has me all convinced... till April 15,2018. 
"The Raft. Art is (not) Lonely’ is not only an exhibition, but also a conversation with Ostend, the City by the Sea with its own distinct history and scent. The baseline of the dramaturgy of Mu.ZEE’s exhibition, which will be presented in various locations spread across the Belgian seaside resort, is the thorough research conducted into ‘The Raft of the Medusa’ (1818) by Théodore Géricault and Jan Fabre’s utopian raft ‘Art is (not) Lonely’ (1986). Although there is an unmistakable 170-year time difference and a completely different historical origin, both works tie in with each other thanks to their visualisation of the expedition and the destination of the artist, which is a theme acting as a metaphor of the condition humaine.
http://www.muzee.be/en/muzee/t208000/the-raft-art-is-not-lonely

October 19, 2017

To live, breathe, eat and drink on water in the city.

 The "mini living breathe' installation, at the occasion of the Brussels Design Days in September, near Place St Catherine, Brussels 
 "An island in a large water feature on the Vismet in the centre of Brussels which encloses a large round sharing table for inhabitants to use. The installation uses its own natural materials to filter and clean the surrounding air in order to revitalize the people and the city. This piece of work embodies the idea of shared city living within a compact footprint"
http://designseptember.be/project2016-uk-480-18.html

October 09, 2017

The Viaduct by Paul Delvaux -

  Photo by Graham
 Museum Thyssen - Madrid 

"This work was painted in March 1963, a period in which Delvaux again felt strongly attracted to the subject of trains and stations, which he discovered very early on in his career. Towards 1920, at the time when he was attending the Académie, he got into the habit of painting at the gare du Luxembourg in Brussels. Later, he drew inspiration from the little foresters' station in Boistfort, the borough of Brussels where he lived. Evoking Delvaux's world without referring to trains is impossible, since it is a recurring theme in his work. Here he reveals himself as a painter of reality, of a meticulous reality. In Delvaux, no detail is left to chance, and each element is studied in depth. In fact, he ordered scale models of trains and trams which reigned over his studio, next to a skeleton, another important source of inspiration. That way, every time he wished to do so, he was able to copy them carefully and integrate them in his works. The Viaduct is a very interesting piece, because it gathers in a single, very dense composition, all the elements which constitute the artist's world: the suspended lamps found in his childhood homes, the magical and unusual atmosphere of the stations at nightfall, the mysterious train passing and covering the horizon with its strange smoke, the mirror reflecting another world, another reality. And absence, too. Everything is fixed, inanimate, waiting for an event which does not take place. The work frightens and at the same time fascinates, since it is inhabited by poetry. The houses are lit, but no human being seems to live in them. No life animates this composition constructed like a theatrical scene".
https://www.museothyssen.org/en/collection/artists/delvaux-paul/viaduct

September 30, 2017

Jozef Cantré in Mudel, Deinze


             the curator of the exhibition, Mr Peter  J.H. Pauwels




the catalogue, exceptional, interesting, a treasure 



 by Leon De Smet, 1920


the artist Jozef Cantré at work

The Belgian weather this weekend might offer you the perfect excuse to travel to Mudel,  Deinze's Museum aan de Leie, near Ghent, to admire and enjoy this exceptional exhibition dedicated to artist Jozef Cantré, expressionistic wood engraver and sculpturer. The catalogue by Peter J.H. Pauwels that accompanies this exhibition is itself a work of art - beautiful, evocative, instructive and scientifically documented.
http://www.mudel.be/en



September 20, 2017

Colm Tóibín at Passa Porta in Brussels

The International House of Literature,  Passa Porta,  located in the center of Brussels regularly organises unique encounters and invites writers of national and international renown to talk about their work. I had the great pleasure of listening to Mr Colm Tóibín  yesterday. The author read from his most recent book, House of Names, talked about his oeuvre and answered questions. I thoroughly enjoyed this interesting, fascinating evening. 
See the schedule for the coming season here:http://www.passaporta.be/en/agenda/